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It is with a real pleasure that I went on on the continuation of the adventures of the family Penderwick. In this new opus, a letter left by their died mother is going to cause a lot of worries to our 4 heroines: Rosalind, Skye, Jeanne and Linnet.

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Star Trek and. Find latest reader reviews and much more at Dymocks. The handmade piece of art has the shape of a classic microphone with a wonderful sense of nostalgia.

It is made from solid transparent glass with sandblasted and painted detailing. Designer Kjell Engman of Kosta Boda has worked as a glass artist for thirty years.

Recently, he has focused on art glass and his creations can be found in exhibitions around the world. This year, the microphone-shaped official trophy will be awared for the seventh time.

In each SemiFinal, 10 contestants qualify for the Final. This chapter explains the voting procedure of the Eurovision Song Contest in detail.

The voting window opens after the last song has been performed, and ends 15 minutes later. The jury, which consists of five members including a chairperson is the same jury that voted in one of the Semi-Finals.

As usual, the points 1 to 7 will appear on screen. The spokesperson will then reveal 8, 10 and 12 points. A video explaining the voting procedure can be found on www.

Sand has more than 15 years of experience in major productions and coproductions at Norwegian public broadcaster NRK and commercial companies.

He has produced or directed a variety of programmes, such as the Nobel Peace Prize Concert and the Norwegian national selection for the Eurovision Song Contest.

Sand was Head of Delegation at the contest for Norway from to After that, he was commissioning editor at NRK. In he was Executive Producer of the Oslo contest.

As Communications Coordinator, he is the editor-in-chief of the official website www. As such he is responsible for the online infrastructure of the Eurovision Song Contest.

In , he was fulfilling the same job on behalf of the Host Broadcaster. The International Press Centre is situated in the middle of Copenhagen.

At the same time, the EBU acknowledges the importance of Eurovision Song Contest fan outlets, such as fan websites, blogs and fan club magazines, which the EBU invites to report on the event as well.

The accreditation procedure is centrally coordinated by the EBU. Applications are evaluated by the delegation through which each journalist applies.

Each delegation can accept a limited number of applications, and it is recommended to apply for accreditation as early as possible.

Accreditation takes place online through press. Usage of such equipment may lead to loss of accreditation.

Media representatives who wish to attend the live shows are advised to purchase tickets through the official ticket agent.

Only assigned pool photographers can access the arena without tickets during the live show. For archive material of a specific Eurovision Song Contest until we recommend you to contact the archive department of the respective Host Broadcaster.

For archive material of a specific Eurovision Song Contest from to , we recommend you to contact the EBU at press eurovision.

With this initiative, the EBU aims to digitise and improve the quality of all editions of the Eurovision Song Contest, and make the content available to its Members and, eventually, the media- and fan community.

This challenging project is scheduled to be fully completed before the 60th anniversary of the contest in For more information about the archive project, please contact Jeroen Depraetere at archive eurovision.

All accredited media, Heads of Delegation and Heads of Press are welcome to book these rooms on a first-come first-served basis. There will be shuttle buses serving the official hotels, venue and EuroClub, for members of delegations, accredited press and accredited fans.

The studios are provided on a first-come first-served basis. Accredited media can follow the first round on the screens in the Press Centre.

Screens will also show all Dress Rehearsals and Live Shows. This is where accredited fans can gather and make predictions for the Semi-FInals and the Final.

Shuttle schedules can be found in the reception areas of all official hotels and at the Transportation Service Centre.

You can also go to www. Vouchers for public transportation will be available at the transportation centre at the Press Centre.

There is direct access to the centre from the dressing room area not accessible for media , and it has an overall area of approximately 3, m2.

Press officers will man the desk, helping all accredited reporters, photographers and fans with information and other enquiries.

The working area in the Press Centre has room for up to reporters and photographers. All workstations will have high-speed internet connection as well as printing facilities.

The Press Conference Room can accommodate up to people and will have plenty of space for camera equipment. Camera crews and radio journalists will have access to a multipoint sound box at the back of the room.

Therefore, one of the key elements in our media strategy is to provide the best working conditions for photographers to take the best photos.

There are numerous opportunities for photographers to take great photos that capture the spirit of the event and the emotion of its contestants and their fans.

A designated area close to the stage, equipped with high-speed internet and power sockets, is available.

Applications have to be submitted before 20th of April to jarmo. High-resolution photos of all events can be downloaded via press. At the beginning of these press conferences, photographers are invited to take pictures.

As soon as the press conference starts, photographers are kindly asked to return to their seats. After each press conference, there is a photo opportunity against a special backdrop.

Flash and camera lights as well as wireless equipment are strictly prohibited. For photographers and film crews, a designated area close to the stage is available.

For more information about this celebration, keep an eye on Eurovision. The contest was based on the Italian Sanremo Music Festival and was designed to test the limits of live television broadcast technology.

The first contest took place on 24 May , when seven nations participated. With a live orchestra, the norm in the early years, and simple sing-a-long songs on every radio station, the Contest grew into a true panEuropean tradition.

In the beginning, it was obvious for the participants that they should sing in their country's national language. However, as the Swedish entry in , Absent Friend, was sung in English, the EBU set very strict rules on the language in which the songs could be performed.

National languages had to be used in all lyrics. Song writers across Europe soon tagged onto the notion that success would only come if the judges could understand the content, resulting in such entries as BoomBang-A-Bang and La La La.

In , the rules on language use were relaxed, and in the following year ABBA would win with Waterloo. Those freedom of language rules would be soon reversed in , to return with apparent permanent status in the contest.

The voting systems used in the Contest have changed throughout the years. The modern system has been in place since Historically, a country's set of votes was decided by an internal jury, but in five countries experimented with televoting, giving members of the public in those countries the opportunity to vote en masse for their favourite songs.

The experiment was a success and from onwards all countries were encouraged to use televoting wherever possible. Nowadays members of the public may also vote by SMS.

The end of the Cold War in the early s led to a sudden increase in numbers, with many former Eastern Bloc countries queuing up to compete for the first time.

This process has continued to this day with more and more countries joining. It was decided that the first ever Eurovision Song Contest would be hosted the following year in the Swiss resort of Lugano on Thursday the 24th of May.

Seven countries took part in the first edition, Netherlands, Switzerland, Belgium, Germany, France, Luxembourg and Italy, with each country presenting two songs.

It was chosen by a jury, comprising of just two members representing each of the seven countries taking part, but the scores of the voting have never been made public, leaving room for lots of speculation throughout the years.

Lys Assia continues to this day to be associated with the contest, making guest appearances in recent contests, as well as trying to represent Switzerland again in The first show lasted 1 hour and 40 minutes, with subsequent editions in the s running to around just over an hour.

Nowadays the Grand Final is around three and half hours long. This led to the introduction a three minute maximum duration for any entry.

A recording of the fifth heat of the Festival Of British Popular Songs was shown to the EBU in the autumn of , and the idea of using juries and a scoreboard was incorporated into the contest, and has remained ever since.

Another rule was that only solo artists or duets could take part. A few groups managed to get around this rule by having one or two of their singers named, and the remaining members of the group thus became backing vocalists.

The next few years brought more participants from the original seven countries to twelve with United Kingdom, Austria, Denmark, Sweden and Monaco joining the event - and thus more excitement and of course, new winners.

Although some of the songs did not win, they became worldwide hits instead - the Italian entries Nel Blu Dipinto Di Blu better known as Volare by Domenico Modugno, as well as his Piove famous as Ciao Ciao Bambina , to name a few from this decade.

Early editions of the contest had been held on various weekdays, but from , one Saturday every year became the day when families sit down to cheer for their own country, watch and finally see which song is voted to win the Grand Prix.

The presenter who holds the record for presenting the most finals is Katie Boyle for the United Kingdom who undertook the task in , , and

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Song writers across Europe soon tagged onto the notion that success would only come if the judges could understand the content, resulting in such entries as BoomBang-A-Bang and La La La.

In , the rules on language use were relaxed, and in the following year ABBA would win with Waterloo.

Those freedom of language rules would be soon reversed in , to return with apparent permanent status in the contest.

The voting systems used in the Contest have changed throughout the years. The modern system has been in place since Historically, a country's set of votes was decided by an internal jury, but in five countries experimented with televoting, giving members of the public in those countries the opportunity to vote en masse for their favourite songs.

The experiment was a success and from onwards all countries were encouraged to use televoting wherever possible.

Nowadays members of the public may also vote by SMS. The end of the Cold War in the early s led to a sudden increase in numbers, with many former Eastern Bloc countries queuing up to compete for the first time.

This process has continued to this day with more and more countries joining. It was decided that the first ever Eurovision Song Contest would be hosted the following year in the Swiss resort of Lugano on Thursday the 24th of May.

Seven countries took part in the first edition, Netherlands, Switzerland, Belgium, Germany, France, Luxembourg and Italy, with each country presenting two songs.

It was chosen by a jury, comprising of just two members representing each of the seven countries taking part, but the scores of the voting have never been made public, leaving room for lots of speculation throughout the years.

Lys Assia continues to this day to be associated with the contest, making guest appearances in recent contests, as well as trying to represent Switzerland again in The first show lasted 1 hour and 40 minutes, with subsequent editions in the s running to around just over an hour.

Nowadays the Grand Final is around three and half hours long. This led to the introduction a three minute maximum duration for any entry.

A recording of the fifth heat of the Festival Of British Popular Songs was shown to the EBU in the autumn of , and the idea of using juries and a scoreboard was incorporated into the contest, and has remained ever since.

Another rule was that only solo artists or duets could take part. A few groups managed to get around this rule by having one or two of their singers named, and the remaining members of the group thus became backing vocalists.

The next few years brought more participants from the original seven countries to twelve with United Kingdom, Austria, Denmark, Sweden and Monaco joining the event - and thus more excitement and of course, new winners.

Although some of the songs did not win, they became worldwide hits instead - the Italian entries Nel Blu Dipinto Di Blu better known as Volare by Domenico Modugno, as well as his Piove famous as Ciao Ciao Bambina , to name a few from this decade.

Early editions of the contest had been held on various weekdays, but from , one Saturday every year became the day when families sit down to cheer for their own country, watch and finally see which song is voted to win the Grand Prix.

The presenter who holds the record for presenting the most finals is Katie Boyle for the United Kingdom who undertook the task in , , and Postcards were scripted, and filmed, for the contest, featuring two puppet pigs, called Pinky and Perky.

Ultimately though the idea was dropped during rehearsals. This year the postcard films will feature the artists filmed in their own country.

This was first done for the contest, although then, the artists representing Luxembourg and Monaco were actually filmed in Paris. The list of participating countries grew to 18, with Norway, Spain, Finland, Yugoslavia, Portugal and Ireland swelling the ranks.

This also resulted in more popular hits, like Congratulations and the barefoot sung Puppet On A String, both representing the United Kingdom.

The latter winning song by Sandie Shaw won with one of the largest margins ever witnessed in the history of the Eurovision Song Contest.

The song gathered more than twice 38 as many votes as the runner-up, Ireland. But not only the juries were charmed by Sandie Shaw's song, it became a huge success all over Europe and is nowadays remembered as one of the big successes that arose from the Eurovision Song Contest.

The Eurovision Song Contest also saw technical improvements this decade. With the contest being the first to be produced and broadcast in colour by the BBC, despite the fact that very few TV viewers across Europe owned colour TV sets.

Even in the United Kingdom just over half a million viewers saw the colour transmission when it was repeated on the only colour channel the following afternoon.

However, colour was here to stay and all song contests since then have been broadcast in colour. The growing competition between participants led to the record-breaking four winners in when France, the Netherlands, Spain and the United Kingdom all got 18 points.

Since there was no solution for this situation, all four countries were declared winners. Luckily, there were enough medals available for the winning singers - the medals were intended for the winning singer and three winning songwriters.

However, having four winners caused lots of criticism from the media and several TV stations reconsidered participating in the following Eurovision Song Contest.

A new rule was devised; if two or more songs gained the same number of points, each song had to be performed once more and all the other juries had to select their favourite song.

If entries still were to tie, both of them would share the first position. The rule of performing either solo or as a duet was abolished in now groups of up to six persons were allowed to perform at the Eurovision Song Contest and this has led to many groups winning the contest.

More changes were in the air: Between and there was a short lived voting system, involving just two jurors from each participating country, awarding between 1 and 5 votes to each song.

This resulted in some countries awarding more votes than others, and the system was quickly discredited. Another important rule change for the Eurovision Song Contest was that the participants could choose the language in which they wanted to sing their songs.

This rule remained valid until , although exceptions were permitted for the contest, and was put in effect again from onwards.

In , when the contest was first staged in 40 Sweden , another voting system was implemented which is still the one in use today.

Juries in every country would give 1 - 12 points to their 10 favourite songs, with the famous 12 douze points going to their top favourite, then 10 to the second favourite, 8 to their third favourite, 7 to their fourth favourite and ending with 1 point for their tenth favourite.

For the rest of the decade the votes were cast in the order the songs were performed. ABBA had actually tried to enter the Eurovision Song Contest already with the song Ring Ring, which later became a hit for them in many European countries - but they only reached the third place in the Swedish national selection.

Malta, Israel, Greece and Turkey also entered the contest for the first time in the seventies.

In fact Israel didn't even participate the year after winning with Hallelujah as the selected date clashed with one of their national holidays.

The first and, so far, last time this happened. Something special from that contest was the introduction of songs by TV presenters from each competing nation although the real silver wedding anniversary took place the year after in Norway where most winners performed at a special concert in Momarkedet in Mysen.

The s brought more up-tempo winners than in the past, like Norway's first victory with La Det Swinge in More superstars were launched at the Eurovision Song Contest in the s.

Germany's and Austria's entries in were both written by the German pop titan, Dieter Bohlen who became famous in Germany in the 's as one half of the duo Modern Talking.

As the acts became more visual, the organizers also had some tricks up their sleeves. The contest in was hosted by the former participant Lill Lindfors who shocked the audience with an act in which it appeared that her skirt was torn off.

This was of course wellrehearsed, and remains one of the mostremembered highlights in the history of the Eurovision Song Contest.

The Eurovision Song Contest participants list grew again. For the first time in the history of the song contest in , an African country Morocco took part with Samira, a star in all of the Arabic-speaking countries, but her entry Bitakat Hob ended up at 18th position with just 7 points.

The islands of Cyprus and Iceland also joined the Eurovision party in the 80s. Changes that led to the Eurovision Song Contest as we know it now.

That's why the young singer Emma could represent the United Kingdom in , even if she was only 15 by the date of the contest.

The rule has been modified since then: now performers must be aged at least 16 on the day of the Final while younger singers are able to participate in the Junior Eurovision Song Contest.

The enlargement of the contest in this decade led to new problems. The show still had to be around three hours long but it was hard to achieve when more than 25 countries decided to take part.

Several possible solutions were proposed and used. Starting with seven countries from eastern Europe participating in a preliminary heat called Kvalifikacija za Millstreet in Ljubljana and continuing with an audio preselection in which 22 countries out of 29 were selected to go through to the Final.

In the average results of all countries in the last five song contests were measured, and the 25 countries that had done best qualified for the final in Dublin.

Malta would also return after an absence of 16 years. In ,the long-standing rule that each country had to sing in one of its own national languages was abolished.

It was also decided that France, Germany, Spain and the United Kingdom, as the highestpaying European Broadcasting Union subscribers, would automatically be allowed to take part every year, irrespective of their five-year point average.

The orchestra was optional and since that time no orchestra has been on stage at the Eurovision Song Contest. Televoting was introduced in the United Kingdom, Sweden, Austria, Switzerland and Germany in and it would be extended to almost all participating countries at the following contest.

Nowadays it is compulsory to use televoting. This decade was unbelievably successful for Ireland which won four times in total including three times in a row - , , and then also in Some big hits were also created in this decade, like Gina G's Ooh Ahh Just A Little Bit representing the UK in or the winner Diva by Dana International, but the biggest commercial success of the s was none of the songs though, but the interval act in Dublin in , Riverdance, which later became a worldwide hit.

Therefore, for the first time in its history, a televised SemiFinal was introduced in the Eurovision Song Contest. The "Big-4", the host country, and the ten best-placed countries from the previous contest would directly qualify for the Final, while all lower-ranked countries, as well as new participating broadcasters had to go through the Semi-Final and gain a place in its top to be in the Final.

This system was one big step forward, as it allowed all countries to participate every year, without taking a oneyear-break after a bad result.

Song Contest only started to show after More and more countries have kept expressing their interest in sending their own entry to the Eurovision Song Contest: Bulgaria and Moldova joined the show in , Armenia followed suit in , with Montenegro, Serbia, Georgia and the Czech Republic in and Azerbaijan and San Marino in This had led to a situation in , that in the Semi-Final, 27 countries were fighting for only ten available spots in the Final.

Thus, the idea to introduce a Second Semi-Final was realised from onwards. All other countries had to gain a top placing in one of the two Semi-Finals.

The Semi-Final system also introduced a new suspense moment, not only for the TV viewers: At its end, the ten qualifiers are announced by opening envelopes.

Many artists, delegations, and fans have been shaking all over in expectation of the last country being read out. While real envelopes were used in the first contests, the ceremony has since gone digital, with an animated announcement on the screen.

After televoting had been the sole decisive force in the contest for ten years, a gradual reinforcement of national juries with increasing impact on the final scores had been started from onwards, when only the top-9 countries in the televote of the two respective Semi-Finals qualified for the final.

The tenth qualifier in each show was the highest-ranked entry in the jury vote that had not been part of the televoting qualifiers yet.

From , the same way of combining televotes and jury scores was also introduced in the Semi-Finals. In , Italy re-joined the Eurovision Song Contest after 13 years of absence.

It would take them until , when Emmelie de Forest took the first spot with the intense mid-tempo pop song Only Teardrops. This year, Emmelie will make her come-back to the contest, not as contestant, but as the voice of the official JoinUs!

Congratulations: 50 Years of Eurovision Song Contest was a television programme organised in to commemorate this.

During a spectacular live show from Copenhagen, 14 of the contest's evergreens competed for the title of best Eurovision Song Contest entry of all times.

The results were not announced until after the show. The song with the most points in the second round was the winner. The band had originally won the Eurovision Song Contest for Sweden in and became one of the most successful bands worldwide, selling more than million records.

Unfortunately, none of the four band members attended the show, and thus the award was handed over to Marten Aglander, representative of Universal Music in Sweden.

Visit www. Voters chose their two favourite songs from each of five decades: to , to , to , to and to The remaining four songs were selected by the Reference Group of the contest.

On the 16th of June, the 14 most popular songs were announced. The show featured performances of the 14 songs, Eurovision Song Contest highlights and three special medleys, performed by former participants.

Both juries and televoting were used, both having an equal influence over the vote. In the first round of voting, the number of songs was reduced to five.

Each country awarded points from one to eight, then ten and finally twelve for their ten most popular songs. It would become the most covered song in the history of the Eurovision Song Contest A demonstrator manages to reach the stage during the live broadcast.

Unfortunately, there is very little archive material of the contest available The first ever Eurovision Song Contest broadcast in colour A controversial outcome, as Spain, the United Kingdom, the Netherlands and France all finish first ABBA wins for Sweden.

They would become the most successful Eurovision Song Contest winners ever A new voting system is being introduced.

The unfortunates came last in , , , , , , , , and They are being operated by a sound crew of 30 people.

The sound will be in stereo and 5. There are many good locations in the Danish capital to film for interviews and do photo shoots etc.

Noncommercial photography and filming in the streets and open squares of Copenhagen does not require special permission.

Please note that Freetown Christiania has a different set of rules and regulations, and for your own safety, we strongly advice you not to film or photograph in Christiania without permission.

Nyhavn: Oldest part of Copenhagen Harbour, where you will find a number of colourful houses.

Nyboder: World's first townhouses built in the 17th century for sailors of the Royal Navy. Christianshavn: Area dominated by canals built by imported Dutch architects in the 17th century.

Check out Superkilen. Vesterbro: Copenhagen's former red light district. Today, one of the hippest areas in Copenhagen.

In order to accommodate your needs, EuroClub offers a dedicated press area and a free photo studio. EuroClub has the pleasure of inviting all media representatives to follow the live streaming directly from the red carpet and opening ceremony at the City Hall.

Meet up with your colleagues and enjoy a cold beer and some delicious finger food before the official opening party kicks off.

For more information go to www. The Opening Ceremony is organised in order to welcome all delegations to the Eurovision Song Contest in Copenhagen.

Accredited media and fans will be able to see and do short interviews with the competing artists and members of all delegations before the ceremony on the red carpet outside The City Hall.

At the red carpet there will be a photo-pool with room for approximately accredited photographers. Places will be appointed on a first come first served basis.

Froes F. Hirata F. Hirzebruch F. Kayser F. Nowak Filip M. Jamil Ragep F. Javier Moreno F.

Buchanan F. Burkowski F. Duarte F. Duarte Fje Vajda F. Flaherty F. Maarse F. Murray F. John F. John Gennari F.

Trevor Burke F. Kaid Benfield F. Kelliher F. Kersten F. Koran F. Koran Flake C. Lane Flannery Burke F. Attenborough Flavel C.

Goncalves Flavio Ferrarotti Flavio G. Bauer F. Leron Shults Fletcher D. Fowler F. Linneweh Flint F. Johnson F. Lisker F. Beams Floyd Abrams Floyd B.

Bloom Floyd Norman Floyd R. Borodich F. Burnet F. Mcdonough F. Mcgarry F. Mezzadri F. Kamm Fm Stewart F.

Toates F. Myers Forester W. Major Fouad M. Agterberg F. Pittnauer F. Mechel F. Poli F. Porges F. Fragiskos D.

Jensen Frances E. Burgener Francis A. Carey Francis A Carey Dr. Francis A. Balderrama Francisco Ed.

Villarreal Francisco E. Ayala Francisco J. Blanco-Silva Francisco J. Martinez-Lopez Francisco J. Mata Francisco J.

Migoya Repost Francisco J. Pelegri Francisco J. Samaniego Francisco J. Serrano Francisco J. Tapiador Francisco J.

Valero-Cuevas Francisco J. Varela Francisco J. Cogliano Francis D. Hauser Phd Francis D. Ching Francis D. Bowker Francis F. King Francis G.

Glorieux Francis Hopcroft Francis J. Alexander Francis J. Flanigan Francis J. Pierce Francis J. Turner Francis J. Waller Francis Katamba Francis K.

Goldscheider Francis K. Worden Francis R. Smith Jr. Francis X. Diebold Francis X. Coleman Francis X.

Modigliani Franco P. Ascione Frank Abdi Frank A. Chervenak Frank Ackerman Frank A. Colaprete Frank A.

Coutelieris Frank A. Ernst Frank A. Farris Frank A. Liporace Frank A. Settle Jr. Frank Ashall Frank A.

Frank Castronovo Frank C. Detterbeck Frank C. Dicataldo Frank C. Grosshans Frank D. Gunstone Frank D. Vrionis Frank E. Ankersmit Frank E.

Vandiver Frank E. Bosman Frank Gesemann Frank G. Goodyear Frank H. Mader Frank H. Netter Frank H. Fitzek Frank H.

Frank H. Rhodes Frank Huber Frank H. Borao Frank J. Bruno Frank J. Dixon Frank J. Fabozzi Frank J. Gaffney Jr.

Frank J. Leskovitz Frank J. Matzen Frank J. Millero Frank J. Ohlhorst Frank Joseph Frank J. Owens Frank Jozsa Frank J.

Pietrucha Frank J. Rafalko Frank J. Rybicki Frank J. Schmalleger Frank J. Tipler Frank J. Court Franklin E. Miller Franklin G.

Klement Frank L. Schad Frank L. Dattilio Frank M. Gresham Frank M. Groom Frank M. Kromann Frank M. Jones Frank N.

Thomas Frank O. Incropera Frank P. Jozsa Jr. Bahr Frank R. Young Frank Sauer Frank S. Cawood Frank W. Geels Frank W.

Van Eemeren Frans J. De Bruijn Frans P. Brunner Franz J. Dahlkamp Franz J. Harbutt Fraser J. Johnsen Fred A. Kuglin Fred Alford Fred A.

Luchette Fred A. Abrahams Fred Campano Fred C.

Françoise Pascal Video

Jean-Luc Godard "Je n'ai rien changé au cinéma" - Archive INA