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Most people, matching statistics tell us, meet their partner at the workplace. No study has ever maintained that this does not apply to other galaxies.
If that partner happens to be an extraterrestrial with something under her hot pants which no human biology book has covered yet, who would be so narrow-minded not to be curious on a long space voyage?
So, after initially being baffled I was kinda warming up to the idea of watching crass alien bestiality on loveship Enterprise, but quickly noticed that something does not really add up onboard.
The film starts with the ship happily floating through the galaxy, while much miscegenation is going on among the cheerful crew.
All dicks on deck so to say. We see a sexual relationship between two Whites being indicated, another one between a green-skinned female humanoid and a man, and one Asiatic guy conquering a White 10 you judge for yourself which is the most unlikely couple.
But why does the messing around stop here? After all, the multicultural logic is where some diversity in bed is good, more is even better.
Why does socially acceptable sex not occur between totally different species, and why is someone like Keenser, the butt ugly, gnomish alien from the engine room, not banging the darn hot blonde weapons officer from deck 47b?
The aliens can't be all homos, married or workaholics and the women can't be all frigid. Apparently, there are invisible racial limits to miscegenation in the Star Trek universe, and this is where we come to realize that the egalitarian vibes which its creators are trying to convey are fake.
Humans may go out with humanoids but no further than that, there is a line in the sand. But if the social norms are such that there exists a racial boundary beyond which the crew does not fornicate, who is to say that other social norms which draw this line between the different human races Whites, Blacks, Asians etc.
Once you have established in principle that drawing a line between groups is a legitimate act to prevent race-mixing, you cannot effectively argue against that line being moved according to the ethical beliefs of individual communities.
And we certainly get to see a lot of racial homogeneity in the series, where most of the enemies of the Federation are homogenous, ethnocentric warrior races, who have a robust sense of their own racial identity and do not practice miscegenation.
The universe may be vast in the Star Trek series, but its sexual norms are not. By current leftist standards, however, the Enterprise is populated by closet racists who will discriminate against aliens of color just because these are from other planets and look very different from them.
Despite several hundred years of diversity training, the human crew will still not screw aliens with whom they share no bloodline. What a bigoted bunch of astro-rednecks.
Obviously, I did not miss Zoe Saldana's striking figure in her tight space suit as Lt. Nyota Uhura. I was relieved to see that in the far future SJWs have stopped their march through the institutions short of the commanding bridges of space ships, and that the Federation has been wise enough not to let unstable feminists anywhere near positions of command and control.
The last thing you want is them being triggered by a chauvinist alien race unaware of its male privilege. That is not to say that Saldana is not cast as your stereotypical, feminoid "strong woman," but at least the ship dress code makes sure she is wearing miniskirts while beating up her much better armed and armoured opponents.
To be fair, the script is careful to attribute more feminine sides to her in her relationship with Spock, but in the longer run Hollywood should reconsider if Lara Croft is the only model it has to draw on to portray strength in women.
Except for campus socialists and the armchair generals ruining…running the US army, every man knows and accepts that females are physically weaker because, hey, that's nature , and while there is per definitionem no limit to imagination in a Science Fiction movie, the willful ignorance of any female biological reality is becoming an annoying feature of the dream factory.
The most prominent interspecies relationship shown is that between Saldana and the prudish half- Vulcan Spock.
The movie wants us to believe in this constellation but there is no character credibility in it and the storyline concedes as much at one point by throwing a spotlight on Spock's very unromantic nature.
One can't help but think the screenwriters were fooled into this mismatch by their desire for inserting a cosmic love relation into the story at any cost.
Still, it does allow us a valuable glimpse into the warped mind of multiculturalism. In one scene a seriously wounded Spock reveals to the ship doctor McCoy that he has been considering leaving Saldana.
What does the doctor do? He is actually mocking Spock for wanting to produce "many little Vulcans" with a Vulcan wife instead. As a reminder, in the alternative timeline of the reboot series in which this installment is taking place, Spock's home planet Vulcan was destroyed, along with Spock is one of the very few survivors of his race.
In view of his situation, is it such an outlandish idea for him to procreate with one of his own people to give his species a second chance and his existence a meaning which reaches beyond the span of his own life?
Apparently, for the cultural Marxist makers of Star Trek it is. Spock must not be a traitor to the intergalactic race-mixing program, he must not return to his roots, he must not preserve his phenotype.
If you have ever wondered why Western civilization has become such an atomistic enterprise that it is losing its identity and undermining the foundations of its own existence, this is one of those moments where you realize that Hollywood's subversive influence has been playing a role in that.
We will add your biological distinctiveness to our own. Your culture will adapt to service us.
As boycotting Hollywood cinema is for many red-pilled cineastes still not an option—the industry is clever enough not to let its propaganda unduly compromise its entertainment value—I recommend off-shore video directories like movie4k.
After watching the movie, I looked up Saldana's biography as I like to do with good-looking and well-acting actresses in that order.
Saldana is ethnically Dominican, and while her looks would register with most Westerners as Black, this is not at all how most Dominicans prefer to see themselves.
Dominicans are racially aware people, and their self-perception has been shaped by the comparison with their darker-skinned Haitian neighbours.
The new ground-producing CBS takes a revolutionary step and shows Star Trek: Discovery exclusively as video-on-demand service in the stream.
In terms of content, the series of Star Trek past days is different. The story is told from the perspective of the main character Michael Burnham, the captain is not necessarily a role model and content it is significantly darker than it used to: the Federation is at war with the Klingon Empire.
Really needed the effort is not, however, as the video-on-demand provider Netflix, the rights for Star Trek: Discovery has secured and broadcast in Germany takes over.
The new episodes will be provided 24 hours after the broadcast in the US Netflix online. Also shown on free TV is not at the moment.
Once we have new information that should change, you find them at this point. Briefly introduce the topic of illegal streaming portals should be mentioned at this point.
Nevertheless: Stay away from such offers! For most fans, as well as trade magazines is Star Trek: Discovery arrived after initial caution mostly good - even though the first reviews from the USA were not as optimistic, unfortunately, as we wanted it.
Next-generation highlights such as "In the Best of Both Worlds" and "Earth Assault" it was dramatic still miles away, the trade publication deadline.
Negative also noticed that the titular spaceship "Discovery" and much of the crew have not been shown at the beginning.
Meanwhile, this has perspective.